Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Vincent Van Gogh
Young Peasant Woman with straw hat sitting in front of a wheat field

ID: 95160

Vincent Van Gogh Young Peasant Woman with straw hat sitting in front of a wheat field
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Vincent Van Gogh Young Peasant Woman with straw hat sitting in front of a wheat field


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Vincent Van Gogh

Dutch Post-Impressionist Painter, 1853-1890 Vincent Willem van Gogh (30 March 1853 ?C 29 July 1890) was a Dutch Post-Impressionist artist. Some of his paintings are now among the world's best known, most popular and expensive works of art. Van Gogh spent his early adult life working for a firm of art dealers. After a brief spell as a teacher, he became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880. Initially, Van Gogh worked only with sombre colours, until he encountered Impressionism and Neo-Impressionism in Paris. He incorporated their brighter colours and style of painting into a uniquely recognizable style, which was fully developed during the time he spent at Arles, France. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, during which time he cut off part of his left ear following a breakdown in his friendship with Paul Gauguin. After this he suffered recurrent bouts of mental illness, which led to his suicide. The central figure in Van Gogh's life was his brother Theo, who continually and selflessly provided financial support. Their lifelong friendship is documented in numerous letters they exchanged from August 1872 onwards. Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th century art, especially on the Fauves and German Expressionists.  Related Paintings of Vincent Van Gogh :. | Downloaders in Arles | Cart With red and White Ox (nn04) | Still Life with Absinthe | Self-Portrait with Grey Felt Hat (nn040 | Blooming Almond Stem in a Glass |
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Carl Ludwig Christinec
1732/3 - 1792/94
Jean-Pierre Franque
French, 1774-1860,French painter. He and his twin brother, Joseph-Boniface Franque (1774-1833), who was also a painter, were the sons of a modest farmer and, according to a local story, their youthful talent was such that the provincial government paid for them to study in Grenoble. They enrolled at the Ecole Gratuite in Grenoble and stayed for about two years (1786-8), training to become engravers. During the revolutionary period, the twins' education was taken over by the Departement de la Dreme. In 1792 their case was discussed at the National Assembly in Paris, which placed them in David's atelier and provided a pension for four years. David agreed to educate them but refused payment, writing to the President of the Assembly, 'I am overjoyed to be chosen to be the first teacher of these youths who could be called children of the nation since they owe everything to her.' The two brothers were considered very promising students, and David asked Jean-Pierre to assist him in the execution of the Intervention of the Sabine Women (1796-9; Paris, Louvre). Jean-Pierre also became involved with LES PRIMITIFS and the mysterious Maurice Quae (1779-1804), who reacted against Davidian principles and advocated a return to 'primitive' 15th-century Italian art. Franque demonstrated his independence from David in the selection of the subject for his 1806 Salon debut, the Dream of Love Induced by the Power of Harmony (destr.). In the spring of 1807 he was one of the 26 painters who entered a sketch (untraced) for the competition for a large painting representing Napoleon on the battlefield of Eylau, a competition won by Gros. In 1810 Franque produced Allegory of the Condition of France before the Return from Egypt (Paris, Louvre).
georges rouault
georges rouault(1871 to 1958),French painter, draughtsman and printmaker. Although he first came to prominence with works displayed in 1905 at the Salon d Automne in Paris, in the company of paintings by Henri Matisse and other initiators of Fauvism, he established a highly personal and emotive style. His technique and palette were also highly personal, and they ranged from watercolour blues to a rich, thick application of materials. These demonstrate, in their very complexity, not only originality but also the craft of the artist always in search of a greater form of expression. Even though he never stopped observing mankind, his deep religious feeling allowed him to imbue his work with great spirituality.






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